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Warner Bros and New Line announced the release date on Friday (Aug 31) for The Hobbit: There And Back Again.
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EXCLUSIVE: Cinema Management Group head Ed Noeltner and David Dinerstein of domestic distributor LD Entertainment are co-hosting a Bloody Mary Brunch and presentation in Toronto following a market screening of the horror film on Sept 10.
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Roberto Olla, executive director of Eurimages (The Council of Europe’s film fund) has again raised the possibility that Eurimages will become a fund “that goes beyond the geographical limit of Europe.”
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Tom Gormican wrote the Blacklist screenplay and is scheduled to begin shooting Are We Officially Dating? for TreeHouse Pictures in New York in November. QED will introduce to buyers in Toronto next week.
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The Toronto International Film Festival, the Cannes Film Festival, French producer and directors body L’ARP and director MartinScorsese join chorus of concern for missing producer.
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YouTube and Emirates prize goes to The Guilt director David Victori in Venice; Michael Fassbender and Ridley Scott to act as executive producers on next film.
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Saudi Arabia’s first female film director Haifaa Al Mansour, whose debut feature Wadjda was enthusiastically received in Venice, has made an outspoken plea for women’s rights in her homeland.
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EXCLUSIVE: Wide strikes non-exclusive sales deal for Gitai’s Venice Out of Competition entry, also picks up director’s 2009 film Carmel.
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The 17th Busan International Film Festival (BIFF) has announced its New Currents competition, which includes six world premieres and four international premieres.
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China returned more than $63m from two Hollywood smashes in a single week.
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The live table read of Alan Ball’s celebrated screenplay will take place at the Ryerson Theatre on Sept 6.
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A typically slow end to summer saw Lionsgate’s horror film score well with a $18m number one result over the first three days while The Weinstein Company released Cannes entry Lawless in second place.
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From the work of previous Golden Lion winners to the pick of this year’s debut film-makers, Screen profiles the hot films playing in and out of competition.
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The qualifying heats for the Oscars have begun with Venice and Toronto selections.
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The filmmaker tells Screen about the pressure of opening Venice, wanting to tell a story of contemporary Pakistan and America, and preparing Riz Ahmed (and his beard).
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The CEO of digital distributor GoDigital talks to Screen about striking deals with film-makers to make the fast-evolving online space pay.
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Dir: Susanne Bier. Denmark. 2012. 112mins
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Dir/scr: Terrence Malick. US. 2012. 113mins
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Dir: Joe Wright. UK. 2012. 130mins
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Dir/scr: Rona Burshtein. Israel. 2012. 90mins
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Dir/scr: Paul Thomas Anderson. US. 2012. 137mins
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Binns bikes for charity with the Picturehouse Cinemas team planning 1,270 miles of cycling.
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Sony’s reboot tops chart with $4.4m (£2.8m) debut; Universal’s Ted becomes the distributor’s second biggest release since 2007 in the UK.
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