![[Alt-Text]](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_tZS16fHbuao1p6czSZVg50kFERwN-KDVjVAyaDJlLEpQ24SSojjGggR61IPqdg_BHZy0UrW8d5QFsvKW9VmjlH84yWd2yK6WxQdI8B1ffCTxSboo2oDULGWU6BMbN1CStRuDt7VfyvKZ03NAzBH4pcSuGPQFkKZRPbE51K8pojjo-nHPwsClIqN_uYTLzGbFiFdmcSLggqYKi7GgsnQEA4q_hAsX5qK7ZZTbqNkXnM-iKTRrgFgHrokiCR5FbobDi5Bp3UBIXZwrQheFU9Shk3h76svQ=s0-d)
|
ScreenDaily is now available to paid subscribers only.
ACTIVATE your subscription today to gain full access to ScreenDaily or click here to subscribe to ensure you don’t miss out.
| |
 |
The Toronto International Film Festival has added 27 features, including 14 world premieres, in its Discovery programme devoted to first or second features.
|
 |
TIFF selects 14 projects for Masters, also by de Oliveira, Haneke, Kiarostami, Mungiu. Mavericks discussions include David Geffen.
|
 |
Toronto’s fourth TIFF Docs Conference will expand from one to two days (Sept 10-11) and will also now be open to the public, not just industry delegates.
|
 |
The five-year deal kicks in after the current arrangement with Paramount expires at the end of the year and runs from 2013 through 2017.
|
 |
IFC Films has acquired all US rights to Donald Rice’s Cheerful Weather For the Wedding, which had its world premiere at Tribeca.
|
 |
NYFF will present Untold History’s first three chapters of the project.
|
 |
Dick Van Dyke will receive SAG-AFTRA’s highest honour, the SAG Life Achievement Award for career achievement and humanitarian accomplishment.
|
 |
Sean Garrity’s comedy world premieres at Toronto next month.
|
 |
Writer, producer and director Frank Darabont will serve as jury president for the ZFF’s international section.
|
 |
Selections include Bernard Rose’s Boxing Day [pictured] and Alexey Balabanov’s Me Too.
|
 |
Co-founder and partner Gross to exit at the end of August to concentrate on select projects.
|
Caulkin worked in the UK film industry across four decades, starting at the NFFC in the late 1950s.
|
 |
Will Sasso, Jennifer Baxter [pictured] and Kristen Hager added to the cast.
|
 |
Web-platform gives US filmgoers the chance to choose the films to play at their local theatres.
|
|
 |
Are we in a golden era for public film funding? The UK is stumbling through a prolonged recession and yet the film industry has seemingly emerged largely unscathed from the ongoing cuts. Geoffrey Macnab analyses where the cash is headed.
|
|
 |
Screen talks to the founder and CEO of Identity Drama School, Britain’s first black drama school and leading talent agency, IAG.
|
|
 |
Dir: Jennifer Lynch. US. 2012. 105mins
|
 |
Dir: Jon Wright. Ireland-UK. 2012. 94mins
|
 |
Dirs: Dax Shepard & David Palmer. US. 2012. 95mins
|
 |
Dir: Mirjam von Arx. Switzerland. 2012. 87mins
|
|
 |
The Sly and Arnie show rolled into town and proved to be an unstoppable albeit modest force as Lionsgate’s action sequel opened top on an estimated $28.8m. Warner Bros’ The Dark Knight Rises crossed $400m in its fifth weekend.
|
|
 |
Screen International presents our 2012 Toronto Product Guide; submissions due Aug 14.
|
|
|
| |
|